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Finding Home

Written By: Jackie Weger

Over 300 Reviews

“[Finding Home] is something different from your typical sappy love stories. This one has some kick to it and a touch of reality. Excellent writing.” ~mwa, avp

“I absolutely LOVED this book!! It was totally different from what I normally read. This Hawley girl took charge!” ~ ifedimma, avp

“What a gem of a story. Interesting, witty, heartwarming, charming… If all romance novels were written this well and this entertaining I would do nothing else in life beside read.” ~ sighsandsmut, avp

“This book is one of my keepers. I read it whenever I want a good laugh and have read it more times than I can count. It never goes out of date. The characters are so real. You can just see the wheels turning in Phoebe’s head as she plots to capture Gage’s heart.” ~ m. mcool, avp

Twenty-four year old Phoebe Hawley is on a quest to find her family a home. On the road with two siblings, twelve year-old Maydean and five year-old Willie-Boy, Phoebe is out of money, out of gas and out of patience. Now the only things she owns in abundance are Hawley backbone and Hawley pride–neither of which she can trade for food or gas. A collision with Gage Morgan puts Phoebe’s mission in even worse jeopardy–until Phoebe discovers Gage Morgan owns the perfect place for the Hawley clan. But! Gage Morgan has a bruised ego, a tight fist on his land and an iron fist on his heart and is the unlikeliest man in the universe to succumb to her schemes.  Phoebe wields all of the pride, backbone and country smarts she owns to claim his home, plow his land and pilfer his heart. Nothing works. With time running against her family, she plies one last inducement—her scarce feminine wiles… Will it be enough?

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From the author

As a rule, major characters  have a back story. Back stories are essential to a character’s personality. It defines how they think, move, speak and interact with other characters before they ever step on page. Back stories seldom find their way into a simple romance novel because they slow the pace of the story. In truth, a back story is only essential for character development. Yet, back stories are the very essence of a character. Here is Phoebe Hawley’s back story.

Phoebe’s ancestors migrated and set up tiny secluded homesteads deep within the Okefenokee Swamp and Suwanee River basin in Georgia and North Florida. Her people came from England–many were runaway indentured servants from the colony General Oglethorpe brought to Georgia. For over two hundred years her ancestors existed as a secluded tribe of swamp people. They were the purest Anglo-Saxon stock in America, and their speech, undiluted by contact with modern America for over two hundred years, was Chaucer’s; Elizabethan. The swamp settlers were wild, wary, witty, fiercely independent and shrewd. They hunted and trapped every wild creature from deer, bear and wild boar to feed and clothe themselves. They fished, grew their own food and herbs, spun their own cotton, tanned leather for shoes, and carved canoes to navigate the swamp. They didn’t hold with government and laws that poached on independence and pride. Excursions to the outside world were few and only to sell alligator hides and trade that cash for sugar, flour, salt, kerosene and perhaps a bolt of sturdy denim or sewing needles.

Isolated deep within the Okefenokee, two-hundred years of progress, wars, and the Great Depression passed them by until 1942, when Roosevelt, gearing up for war and needing wood from the massive swamp forests of cypress and pine, forced the people out. The people didn’t go far, only to the saw mills at the edge of the swamp and when the saw mills closed, they went to work in the paper mills; when the paper mills along the coasts of Florida and Georgia ‘dragged up’, they migrated into mill towns. And here, for the first time, the former swamp women came into their own. They put away their spinning wheels, their quilt-making, their cast-iron soap-making pots and went to work in cotton mills spinning thread and filling bobbins. Years went by. Then cotton mills across the South began to close and the people began to migrate once again. Living as ‘outlanders’ had acclimated them to ‘Ameriky’ and most had lost much of the Elizabethan dialect, but the rhythm of the language hummed on, as did their elemental code of independence and moral rightness. If anything, six generations of living as outlanders had sharpened their intelligence, hardened their pride and increased their independent spirit. Yet, one thing never changed–when practical choice allows the privilege, the descendants of those early swamp settlers gravitate to land and water.

Which is why Phoebe Hawley, an out-of-work-mill girl, six generations removed from the Okefenokee Swamp, and on a mission to find her family a home, aims her old truck South–toward the coast and finds exactly the right place in the tiny fishing village of Bayou La Batre, Alabama, where a half-dozen great and small rivers and canals flow into the Gulf of Mexico. Phoebe recognizes G.G. Morgan’s kissing lips, but is more impressed with the calluses on his hands–a working man’s hands. Moreover, she is  instantly enamored of G. G. Morgan’s land, long before she’s enamored of the man himself.

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